Elderly inmates are dying mysteriously one after another in their prison cells.

"...In the film, Wilkerson presents four interviewees. Two are widows whose family members (one husband, one son) were Afghan vets who committed suicide. The other two are women who lost family members because Detroit Edison turned off their electricity during the winter. Wilkerson does nothing to draw parallels between these two forms of injustice. Rather, by simply juxtaposing the women’s stories, we are able to see how systematic indifference to human life takes multiple forms, but comes back to the same root causes, and how we are indeed fighting the same war against the poor and disenfranchised at home and abroad – ici et ailleurs. – Michael Sicinski, Mubi Notebook.

Arthur and Corinne Cantrill are two of Australia’s most prominent experimental filmmakers. The Cantrills are well known for their ‘colour separation’ films. To create these works they shoot a scene three separate times on black and white film stock, using a different colour filter each time. In the lab, they combine these three films onto a single Eastmancolour print. This process creates dramatic transitions in colour that the Cantrills liken to the vibrancy of Technicolor. Though the footage here was shot in the mid-’80s, it was only last year that they edited it into this fifteen-minute movie. Structurally it’s simple enough: just a series of views of various parts of inner Melbourne, from panoramic wide shots to close-ups of the sides of buildings. The soundtrack blends and warps familiar urban noises – cars, buskers, the ringing bells of trams – into a kind of musique concréte.

Marcus Fleischman's reincarnation proves a frustrating one. His widow, in his absence, leads the simple life of a shopkeeper, and brings up their son as best she can.

Misunderstood by the French, Emmanuel Macron’s dissolution of the National Assembly on June 9, 2024, led to an unprecedented political deadlock. This documentary examines whether he miscalculated, why he took such a risk, and whether this signals a deeper institutional crisis in the Fifth Republic.

The young couple works two shifts at the factory. They have no time for their private life.

Heik Ernitsa's directorial debut "Encounter" is a humorous story about dreams and reality. "Street" by Valter Uusberg paints a nervous and gloomy picture of the artificial environment of the city. Mati Küti's satirical "Monument" dissects egocentrism in a grotesque tone.

The playful film 1+1+1 shot on classical (old fashioned?) 16mm medium deals with the idea of progress. Progress is an issue that is becoming more and more pressing in these times of crisis developing to crisis developing to crisis – maybe progress of crisis? With a leap in the technologisation of life, but also growing inequalities and various tensions. We love progress, improvements, advances, growth. Is there a space for another loves? The film integrates situational acting with joyful elements of musical with meetings mostly writers and intellectuals in their natural environment. The story progresses through a road movie (sometimes a walk movie) – the journey of three main fictional characters.

情侣从结婚共同生活到生儿育女，每一步都是重大决定。养育“爱情结晶品”不仅是一辈子的责任，也会为夫妻二人增添更多幸福。主持车婉婉与嘉宾梁咏琪、陈柏宇、蒋怡等多位“星级”父母，携手各自伴侣深情分享恋爱历程。从二人世界迈向三人世界，他们会面临诸多酸甜苦辣，他们将如何携手应对呢？新手爸爸可不好当！黎诺懿、张达伦、杨潮凯要怎样适应新身份？各位“星级靓妈”的另一半还会暗中送上甜蜜惊喜，实在让人羡慕！