Elderly inmates are dying mysteriously one after another in their prison cells.

"...In the film, Wilkerson presents four interviewees. Two are widows whose family members (one husband, one son) were Afghan vets who committed suicide. The other two are women who lost family members because Detroit Edison turned off their electricity during the winter. Wilkerson does nothing to draw parallels between these two forms of injustice. Rather, by simply juxtaposing the women’s stories, we are able to see how systematic indifference to human life takes multiple forms, but comes back to the same root causes, and how we are indeed fighting the same war against the poor and disenfranchised at home and abroad – ici et ailleurs. – Michael Sicinski, Mubi Notebook.

Arthur and Corinne Cantrill are two of Australia’s most prominent experimental filmmakers. The Cantrills are well known for their ‘colour separation’ films. To create these works they shoot a scene three separate times on black and white film stock, using a different colour filter each time. In the lab, they combine these three films onto a single Eastmancolour print. This process creates dramatic transitions in colour that the Cantrills liken to the vibrancy of Technicolor. Though the footage here was shot in the mid-’80s, it was only last year that they edited it into this fifteen-minute movie. Structurally it’s simple enough: just a series of views of various parts of inner Melbourne, from panoramic wide shots to close-ups of the sides of buildings. The soundtrack blends and warps familiar urban noises – cars, buskers, the ringing bells of trams – into a kind of musique concréte.

Marcus Fleischman's reincarnation proves a frustrating one. His widow, in his absence, leads the simple life of a shopkeeper, and brings up their son as best she can.

Misunderstood by the French, Emmanuel Macron’s dissolution of the National Assembly on June 9, 2024, led to an unprecedented political deadlock. This documentary examines whether he miscalculated, why he took such a risk, and whether this signals a deeper institutional crisis in the Fifth Republic.

Heik Ernitsa's directorial debut "Encounter" is a humorous story about dreams and reality. "Street" by Valter Uusberg paints a nervous and gloomy picture of the artificial environment of the city. Mati Küti's satirical "Monument" dissects egocentrism in a grotesque tone.

The playful film 1+1+1 shot on classical (old fashioned?) 16mm medium deals with the idea of progress. Progress is an issue that is becoming more and more pressing in these times of crisis developing to crisis developing to crisis – maybe progress of crisis? With a leap in the technologisation of life, but also growing inequalities and various tensions. We love progress, improvements, advances, growth. Is there a space for another loves? The film integrates situational acting with joyful elements of musical with meetings mostly writers and intellectuals in their natural environment. The story progresses through a road movie (sometimes a walk movie) – the journey of three main fictional characters.

情侣从结婚共同生活到生儿育女，每一步都是重大决定。养育“爱情结晶品”不仅是一辈子的责任，也会为夫妻二人增添更多幸福。主持车婉婉与嘉宾梁咏琪、陈柏宇、蒋怡等多位“星级”父母，携手各自伴侣深情分享恋爱历程。从二人世界迈向三人世界，他们会面临诸多酸甜苦辣，他们将如何携手应对呢？新手爸爸可不好当！黎诺懿、张达伦、杨潮凯要怎样适应新身份？各位“星级靓妈”的另一半还会暗中送上甜蜜惊喜，实在让人羡慕！

单元剧1+1=1是一个专讲夫妇间事的剧集，每一集都有不同的故事。其中周润发与赵雅芝参演过其中一个单元，两人剧中饰演的是夫妻。 每一单元皆由不同的艺人分演其中的夫妇，演出不同的独立故事，是一个很有意思的节目，播出时也很受关注与欢迎。而每集因为剧本不同，演员不同，演出效果不同，受欢迎的程度也自不同。 周润发（饰阿杰）与赵雅芝（饰阿兰）饰演夫妻，阿杰与阿兰原本开着修理铺，过着如意的日子，但阿杰从前的一群恶霸朋友忽然间出现，逼迫阿杰，阿杰开始想法卖掉铺子，与妻子阿兰终于产生矛盾。恶霸们借机来到阿杰的家里，想打劫钱财，阿兰亦陷入他们的手里，阿杰赶回家里，不得不顺从他们答应取款给他们……